Absolutely
Format: 12" Vinyl (33 1/3 RPM)
Label: Stiff Records
Catalogue: SEEZ 29
Country: United Kingdom
Released: September 26, 1980
MASTER RELEASE PAGE
“Absolutely,” released in September 1980, is the second studio album by the British ska band Madness. Following their successful debut, it cemented their status as leading forces in ska and pop of the early 1980s. The album blends ska rhythms, pop melodies, and humorous, satirical lyrics reflecting British life. Notable tracks include “Baggy Trousers,” “Embarrassment,” and “The Return of the Los Palmas 7.” “Baggy Trousers,” with its catchy tune and memorable music video, became a signature song. Critically and commercially successful, it reached No. 2 on the UK Albums Chart. The album’s mix of humor, social commentary, and infectious music solidified Madness’s place in British pop culture. Its quirky songwriting style reflects everyday experiences and whimsical outlook. Continued celebration by fans and newcomers alike, “Absolutely” remains a vibrant snapshot of the band’s creative peak.
The 1980 Madness album “Absolutely” features an intriguing variation in its album cover artwork, with the band photographed in front of Chalk Farm tube station in Camden. Initially, the cover depicted the band in a more sombre pose, which was used for the first 10,000 vinyl pressings. Subsequently, this was replaced by a livelier, more animated pose. A distinctive way to identify these two versions is by observing the position of the keyboardist, Mike Barson, and his umbrella. In the earlier version, Barson is seen holding the umbrella up to his chin, creating a more subdued aesthetic. In the later, more widely distributed version, the umbrella is placed on the ground, contributing to the overall dynamic and relaxed feel that better reflects the band’s energetic style. This change in the visual presentation not only enhances the collectibility of the initial pressing but also adds a layer of historical interest to the album’s release.
Track | Version | Duration |
---|---|---|
Baggy Trousers | 2:45 | |
Embarrassment | 3:13 | |
E.R.N.I.E. | 2:08 | |
Close Escape | 3:29 | |
Not Home Today | 2:30 | |
On the Beat Pete | 3:05 | |
Solid Gone | 2:22 | |
Take It or Leave It | 3:26 | |
Shadow of Fear | 1:58 | |
Disappear | 2:58 | |
Overdone | 3:45 | |
In the Rain | 2:42 | |
You Said | 2:35 | |
The Return of the Los Palmas 7 | 1:57 |
Alternate releases for this master, including track replacements, remixes, or bonus tracks, are detailed here. Tracks listed reflect the original master and exclude later reissues with additional content.
AUDIO
VERSIONS
Country
Format: 12" Vinyl (33 1/3 RPM)
Label: Stiff Records
Catalogue: SEEZ 29
Country: United Kingdom
Released: September 26, 1980
Format: 12" Vinyl (33 1/3 RPM)
Label: Stiff Records
Catalogue: SEEZ 29
Country: United Kingdom
Released: September 26, 1980
Format: Compact Disc (2CD)
Label: Union Square Music, BMG
Catalogue: BMGCAT591CD
Country: United Kingdom
Released: February 24, 2023
WORLDWIDE CHARTS
Country | Entry | Opening | Peak | Weeks | Exit | Finale |
---|---|---|---|---|---|---|
GB (GBR) | 10/04/1980 | 7 | 2 | 48 | 07/18/1981 | 89 |
NL (NLD) | 11/08/1980 | 29 | 2 | 43 | 10/31/1981 | 45 |
SE (SWE) | 10/17/1980 | 15 | 15 | 3 | 11/14/1980 | 31 |
DE (DEU) | 21 | 9 | ||||
NO (NOR) | 10/17/1980 | 43 | 26 | 4 | 11/14/1980 | 28 |
NZ (NZL) | 05/17/1981 | 33 | 31 | 4 | 06/06/1981 | 39 |
US (USA) | 11/22/1980 | 170 | 146 | 4 | 12/06/1980 | 146 |
MUSICAN CREDITS
Musican | Instrument |
---|---|
Mike Barson | Keyboards, Organ, Vibraphone, Marimba, Harmonica |
Chris Foreman | Guitar, Sitar, Slide Guitar |
Lee Thompson | Tenor Saxophone, Baritone Saxophone |
Daniel Woodgate | Drums, Fire Extinguisher |
Mark Bedford | Bass |
Graham McPherson | Vocals, Percussion |
Cathal Smyth | Vocals, Trumpet |
PRODUCTION CREDITS
Role | Credited |
---|---|
Producer | Clive Langer |
Producer, Engineer | Alan Winstanley |
Recording Studio | Eden Studios |
Recording Studio | Basing Street Studios |
Mixing Facility | Rushent's Mansion |
Illustrator | Humphrey Ocean |
Writer | Robbi Millar |