Theatre Of The Absurd Presents C’est La Vie (Filthy Black)
BACKGROUND
Theatre Of The Absurd Presents C’est La Vie has been released in six separate formats, making it the first Madness album to be marketed in so many multiple configurations. Still, it’s typical for some high-profile artists to issue even more varieties. This Double Vinyl LP issue, aptly named “Double Filthy Black Vinyl Gatefold” edition, is one of the six formats released by BMG. Some of the Limited Edition formats have since sold out. It was noted that all the formats were issued without the band’s knowledge.
In the early months of 2023, amidst the gritty industrial sprawl of Cricklewood, Madness embarked on a transcendent musical voyage that promised to redefine their trajectory. Within the hallowed confines of their recording sessions, overseen by the seasoned maestro Matt Glasbey, each note found its place in a symphony of purpose. While Glasbey’s skilled hand lent every track an aura of finesse, the anthem “In My Street” bore the indelible stamp of Madness‘ revered collaborators, Clive Langer and Alan Winstanley.
Fueled by the mantra “Let Madness be Madness,” the band approached each session with a liberating fervour, embracing their quirks and idiosyncrasies as essential ingredients in their creative alchemy. Describing the recording process as a “perfect antidote to the chaos of the past few years,” they found themselves propelled into a realm of creative synergy, where they felt truly “in the zone.”
The fruits of their labour were unveiled to the world on a momentous day, September 27, 2023, as “Theatre of the Absurd Presents C’est La Vie.” The eponymous single led the charge, its debut on The Radio 2 Breakfast Show heralding the arrival of Madness‘ latest magnum opus. Adding an extra layer of intrigue to the announcement, the band enlisted the talents of esteemed British actress Helen Mirren, whose dramatic reading of select lyrics infused the unveiling with a palpable sense of theatrical flair.
Further enriching the album’s tapestry is a special prologue narrated by the acclaimed actor Martin Freeman, winner of Emmy and BAFTA Awards. Freeman’s longstanding admiration for the band culminated in a unique bond forged during a chance encounter at a meet-and-greet, an anecdote that underscores the profound connection between Madness and their devoted fans.
Delving deeper into the album’s thematic undercurrents, composer and keyboardist Mike ‘Barso’ Barson sheds light on the title track’s reflection of our turbulent times. Barson’s poignant musings reveal a desire to retreat from the world’s madness, a sentiment wryly encapsulated by the suggestion to rename the band ‘Sanity’ instead.
This convergence of talent, vision, and unadulterated Madness culminates in what critics hailed as the band’s “most harmonious recording experience to date.” As the album’s melodies reverberate through the airwaves, Madness once again reaffirms their status as purveyors of timeless brilliance, leaving an indelible mark on the musical landscape for generations to come.
SINGLES
Cover | Title | Released |
---|---|---|
Theatre Of The Absurd Introduces C'est La Vie | 09/28/2023 | |
Round We Go (Single Version) | 02/16/2024 | |
Hour Of Need (Single Version) | 05/17/2024 |
RELEASE DETAILS
TRACK LISTING
Disc | Position | Track | Version | Duration |
---|---|---|---|---|
1 | A1 | Prologue "Mr Beckett Sir..." | Spoken Word by Martin Freeman. | 0:13 |
1 | A2 | Theatre Of The Absurd | 4:15 | |
1 | A3 | If I Go Mad | 4:36 | |
1 | A4 | Baby Burglar | 4:07 | |
1 | B1 | Act One "Surrounded On All Sides..." | Spoken Word by Martin Freeman. | 0:11 |
1 | B2 | C'est La Vie | 3:10 | |
1 | B3 | What On Earth Is It (You Take Me For?) | 3:07 | |
1 | B4 | Hour Of Need | 4:06 | |
1 | B5 | Act Two "The Damsel In Distress.." | Spoken Word by Martin Freeman. | 0:13 |
1 | B6 | Round We Go | 4:17 | |
2 | C1 | Act Three "The Situation Deteriorates..." | Spoken Word by Martin Freeman. | 0:24 |
2 | C2 | Lockdown And Frack Off | 3:17 | |
2 | C3 | Beginners 101 | 4:21 | |
2 | C4 | Is There Anybody Out There? | 3:22 | |
2 | C5 | The Law According To Dr. Kippah | 5:34 | |
2 | D1 | Epilogue "And So Ladies And Gentlemen..." | Spoken Word by Martin Freeman. | 0:18 |
2 | D2 | Run For Your Life | 3:59 | |
2 | D3 | Set Me Free (Let Me Be) | 3:38 | |
2 | D4 | In My Street | Produced by Langer Winstanley | 3:46 |
2 | D5 | Fin "Ladies And Gentlemen" | Spoken Word by Martin Freeman. | 0:15 |
CHART HISTORY
Position Date | Position |
---|---|
30/11/2023 | 1 |
07/12/2023 | 26 |
14/12/2023 | 49 |
21/12/2023 | 72 |
28/12/2023 | 69 |
MUSICANS
Musican | Instrument | Role | Credit |
---|---|---|---|
Mike Barson | Keyboards, Piano, Organ, Marimba, Tubular Bells, Programming, Crotales, Wurlitzer, Vox Organ, Bells, Hammond Organ, Clavinet | Band | |
Chris Foreman | Guitar, Programming | Band | |
Lee Thompson | Backing Vocals, Vocals, Tenor Saxophone, Spoken Word | Band | |
Mark Bedford | Bass, Double Bass | Band | |
Daniel Woodgate | Drums | Band | |
Graham McPherson | Backing Vocals, Vocals, Percussion | Band | |
Martin Freeman | Spoken Word | Special Guest | |
Mez Clough | Backing Vocals, Percussion | Session Musician | |
Mike Kearsey | Trombone | Session Musician | |
Steve Hamilton | Baritone Saxophone | Session Musician | |
Joe Auckland | Trumpet | Session Musician | |
Tina Jacobs Lim | Violin | Session Instrumentalist | |
Ruth Elder | Violin | Session Instrumentalist | |
Samuel Kennedy | Viola | Session Instrumentalist | |
Richard Phillips | Cello | Session Instrumentalist | |
Matt Glasbey | Percussion, Programming, Synths | Session Musician | |
Johnson Etienne | Backing Vocals | Session Musician | |
Darren Fordham | Backing Vocals | Session Musician | |
Matthew Ward | Violin | Session Instrumentalist | |
Dan Oates | Violin | Session Instrumentalist | |
Kit Massey | Violin | Session Instrumentalist | |
Rachel Robson | Viola | Session Instrumentalist | |
Rachel Lander | Cello | Session Instrumentalist | |
Noel Watson | Programming, Turntabalist | Session Musician |
PRODUCTION CREDITS
Role | Credited | Notes |
---|---|---|
Producer, Recording Engineer | Matt Glasbey | Produced and Mixed |
Producer | Clive Langer | 'In My Street' |
Producer | Alan Winstanley | 'In My Street' |
Engineer, Recording Engineer | Andy Coules | 'If I Go Mad', 'Baby Burglar', 'Hour Of Need' 'C'est La Vie' & Additional percussion, guitar and piano recorded live at the Palladium. |
Engineer | Oli Jacobs | Excerpts of Live Orchestral Recordings from Madness XL, Kenwood House. |
Assistant Engineer | Ada Binaj | 'Beginners 101'. |
Recording Studio | Stirling Holdings Limited | |
Recording Studio | RAK Studios | |
Recording Studio | Kenwood House | |
Remastered By | Dick Beetham | |
Graphic Design | Paul Agar | Design & layout |
Photographer | Ralph John Perou | Madness Photography |
Orchestrator | Mike Kearsey | Brass & Horn Arrangement |
Orchestrator | Ruth Elder | String Arrangement & Orchestration |
Orchestrator | Tina Jacobs Lim | String Arrangement & Orchestration |
Band, Orchestrator | Mike Barson | String & Horn Arrangement & Orchestration |
Orchestrator | Will Gardner | Conductor & String Arrangement |
COPYRIGHT AND Licencing
Ownership | Company | Notes |
---|---|---|
Phonographic Copyright ℗ | CTUN LLP | |
Copyright © | CTUN LLP | |
Licensed To | BMG Rights Management (UK) |
Representation
Representation | Company | Notes |
---|---|---|
Record Label | CTUN LLP |
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References
Extensive efforts have been made to gather factual information and knowledge on madness from various sources and document them. These sources include publicly accessible websites, books and publications, historical artefacts, and other pertinent materials. As a result, a comprehensive index of resources has been compiled and integrated into the website. These resources, if relevant to this article, are listed below.
Reference | Source |
---|---|
madzine.us | Website |
officialcharts.com | Website |
discogs.com | Website |