Okay, it’s been over 30 years in the making—well, not really. Though some might try to draw a strange connection to the song once heard in 1996 at Madstock, this is not that tune. The only common thread here is the title, 'Culture Vulture.' What remains consistent, however, is the unmistakable cockney crunch tones of Lee Thompson. Yet, for the umpteenth time, it feels like these tones do not belong in a Madness track.

The track is highly overproduced, bogged down by layers of unnecessary embellishments. What should have been a crisp, engaging melody turns into a slow, painful drag. Without the fancy tech—synths, guitar cuts, and even without the overused "Oohs"—the song would be a long, arduous journey through darkness. It’s a far cry from the simplicity and charm that once defined Madness; even "It’s OK, I’m A Policeman" felt more cohesive and genuine.

Unfortunately, first impressions are crucial; this track stumbles right out of the gate. It’s a grower, perhaps, but the initial impact leaves much to be desired. The overproduction drowns the essence of what could have been a solid addition to their repertoire. Ultimately, it scrapes a 5/10, with the faint hope that repeated listens might reveal its fading colours and depth, but don’t hold your breath.